A Critical Study of Myth and Legend in the Selected Plays of Girish Karnad

Abstract

This research paper examines the use of mythological and legendary elements in the selected plays of Girish Karnad, one of the most significant figures in modern Indian drama. Karnad’s dramaturgy is distinguished by its innovative reinterpretation of myths, legends, and folklore, which he employs to explore contemporary social, psychological, and existential concerns. The study focuses on key plays such as Hayavadana, Nagamandala, and Tughlaq, analyzing how myth functions as both a narrative framework and a critical lens for addressing issues of identity, power, gender, and morality. By integrating traditional narratives with modern theatrical techniques, Karnad creates a dialogic space where past and present intersect. The research adopts a qualitative and analytical methodology, drawing on postcolonial and structuralist perspectives to examine thematic patterns and symbolic representations. The findings suggest that Karnad’s use of myth is not merely decorative but transformative, enabling a re-examination of cultural values and human experiences. The paper argues that Karnad’s plays demonstrate the enduring relevance of myth in contemporary literature and its capacity to articulate complex realities in a rapidly changing world.